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“Revisiting Ralph Lembo: Complicating Charley Patton, the 1920s Race Record Industry, and the Italian American Experience in the Mississippi Delta.”
Association for Recorded Sound Collections Journal (2018)
  • T. DeWayne Moore, Prairie View A&M University
Abstract
This essay examines newspaper articles, government documents, personal family collections, and secondary sources to refute and corroborate interviews about Ralph Lembo and restore the good name of the Mississippi talent scout and manager whose passionate, multifaceted engagement with the entertainment world brought many artists to major recording companies, including Columbia, Paramount, OKeh, and Victor. Lembo drove Rocket 88 airconditioned automobiles, wore alligator boots and Panama-brimmed hats, and he stepped up and offered his large plantation when several other potential sites had refused to support the establishment of Mississippi Valley State University. Lembo relished playing the drums in his band the Pot Lickers and operating several music stores in the mid-Delta, which brought him into contact with an immense well of talent, including such figures as Kansas City Jim Jackson, Bo Carter, Blind Lemon Jefferson, and Rubin Lacy. This article also explodes the negative and ongoing bias against Lembo and argues that he discovered the “King of the Delta Blues,” Charley Patton.
Keywords
  • blues,
  • Mississippi,
  • Ralph Lembo,
  • recording industry,
  • Italian American
Publication Date
December, 2018
Citation Information
T. DeWayne Moore, “Revisiting Ralph Lembo: Complicating Charley Patton, the 1920s Race Record Industry, and the Italian American Experience in the Mississippi Delta," Association for Recorded Sound Collections Journal 49:2 (Dec 2018): 153-184.
Creative Commons license
Creative Commons License
This work is licensed under a Creative Commons CC_BY International License.