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“I Cannot Harm Thee Now”: The Ethic of Satire in Anna Barbauld's Mock-Heroic Poetry
European Romantic Review
  • Sharon Smith, South Dakota State University
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Anna Barbauld's satiric verse has been omitted from studies of satire, including studies of specific satiric modes such as the mock heroic. Drawing upon her knowledge of both scientific ideology and the satiric tradition, Barbauld uses the mock-heroic mode in “A Fragment of an Epic Poem,” “Washing-Day,” and “The Caterpillar” to interrogate the process of satiric differentiation, whereby the satirist distances himself or herself from the satiric object. As she does so, she constructs an ethic of satire that questions the configuration of the mode as a weapon. Barbauld employs the mock-heroic mode not to “wound,” but to emphasize the bonds that connect the “great” and the “small,” the mock-heroic satirist and the satiric object. Meanwhile, she identifies the appropriate object of satire not as those considered weak or inferior, but as those who misuse social and political power. Ultimately, Barbauld's work suggests the significance of women poets’ contributions to satire, which has traditionally been identified as a “masculine” mode.
DOI of Published Version
Taylor & Francis
Citation Information
Sharon Smith. "“I Cannot Harm Thee Now”: The Ethic of Satire in Anna Barbauld's Mock-Heroic Poetry" European Romantic Review Vol. 26 Iss. 5 (2015)
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