This paper takes a renewed look at Husserl's method of the phenomenological reduction. It interprets "the reduction" as shorthand for the meaning of Husserl's entire phenomenology in its mature stage. In the same way, the method of reduction might have different manners of execution but they are nevertheless guided by a common intent. The text takes its starting point by considering the different metaphors Husserl uses - the "flatland creatures" and the reduction as akin to a religious conversion - and spells out their implications, which lead me to consider their metaphilosophical significance. In this way, this article attempts a metaphilosophical reading of the meaning of the reduction in Husserl, which is equal to considering the meaning philosophy has for Husserl in the most general terms. In this way, some unorthodox reflections are carried out that shed new light on central phenomenological concepts, such as evidence and eidetic variation, phenomenology as a form of transcendental idealism, and the notorious problem of the lifeworld. In this way, Husserl's phenomenology is interpreted as a peculiar representative of Enlightenment philosophy that restitutes a special notion of responsibility.