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Presentation
The Seven Deadly Sins of Hieronymus Bosch
Medieval Symposium (1996)
  • Sally A. Struthers, Ph.D., Wright State University
Abstract

Some have tried to explain the iconography of Bosch’s works through alchemy, astrology, medicine and the Adamites. Bosch’s work is rich, and seems to come from a number of sources, but he always drew from traditional Christian themes. The sinfulness of mankind is a major theme in Bosch’s oeuvre, and is bound up with the late Medieval theme of the punishments of the damned at the Last Judgment. The theme of the seven deadly sins pervades every surviving painting by Hieronymus Bosch.

Keywords
  • Bosch,
  • Seven Deadly Sins,
  • Flemish Painting
Publication Date
April 20, 1996
Citation Information
Sally A. Struthers. "The Seven Deadly Sins of Hieronymus Bosch" Medieval Symposium (1996)
Available at: http://works.bepress.com/sally_struthers/2/