In recent years, many international relations scholars have been discussing films, books, and television programs featuring zombies, largely because such narratives are thought to provide a compelling metaphor for thinking about a diverse array of contemporary threats. These range from relatively traditional threats posed by violent terrorists to nontraditional threats from epidemics or mass migration. However, because zombie narratives are generally apocalyptic, employing them can provide a misleading and dangerous understanding of international security. By contrast, satirical and comedic zombie stories provide interesting alternative narratives that coincide with the emancipatory objectives of critical security studies. Satirical narratives focusing on elites characteristically critique these powerful figures, often revealing them to be self-centered buffoons. Indeed, satire and black comedy can be quite subversive, reflecting critical and potentially transformative notions—about threats and other dimensions of security politics. Comedies typically center upon ordinary people, emphasize their regular lives, and end happily—aligning with the aspirations of the human security agenda.