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Article
When Works Collide: Derivative Motion Pictures, Underlying Rights, and the Public Interest
UCLA Law Review
  • Peter Jaszi, American University Washington College of Law
Document Type
Article
Publication Date
4-1-1981
Journal

UCLA Law Review

Abstract

Dramatic motion pictures' are prime examples of what copyright law terms "derivative works' because they are almost invariably based upon one or more prior works. Derivative works are so-called because they borrow from original works whether or not those works are in the same media. The universe of derivative works is broad. It encompasses everything from stuffed toys representing cartoon characters to translations of serious-minded literature.

Citation Information
Peter Jaszi. "When Works Collide: Derivative Motion Pictures, Underlying Rights, and the Public Interest" UCLA Law Review Vol. 28 Iss. 4 (1981) p. 715 - 815
Available at: http://works.bepress.com/peter_jaszi/55/