In her presentation, “(Re)centering the Margins: Alice Diop’s ‘Nous’,” Devereux Herbeck analyzed French filmmaker Alice Diop’s recently released documentary as a contemporary mise-en-scène and reexamination of bell hooks’s (sic) seminal essay “Choosing the Margin as a Radical Space of Openness.”

According to Devereux Herbeck, “In ‘Nous,’ Diop renders the margins of Parisian society a ‘site of resistance’ as she questions the identity and portrayal of ‘we’ in modern society.” Devereux Herbeck’s analysis of the film serves to demonstrate to what extent Diop’s editing questions the traditional framing of French national identity. According to Devereux Herbeck, “‘Nous’ provides an opportunity for those who have been marginalized, silenced, and absent from the French national narrative to have their stories seen and heard.”