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Arabian Nights in America: Hybrid form and identity in Diana Abu-Jaber’s Crescent.
USF St. Petersburg campus Faculty Publications
  • Magali C. Michael, University of South Florida St. Petersburg
SelectedWorks Author Profiles:

Magali C. Michael

Document Type
Article
Publication Date
2011
Abstract

Diana Abu-Jaber’s 2003 novel, Crescent, examines the complex position of Arabs and Arab Americans living in the United States with respect to notions of identity by creating a complex hybrid text. Crescent offers characters who face different forms of exile and have to work through fractured, destabilized identities to create for themselves new identities that account for and embrace their hyphenated, hybrid positions. The novel does so using a narrative that creatively combines what initially looks like a rather conventional version of the Western born novel form with a storytelling form deriving from the infamous The Thousand and One Nights, often referred to as the Arabian Nights and historically associated with the East.

Comments

Citation only. Full-text article is available through licensed access provided by the publisher. Members of the USF System may access the full-text of the article through the authenticated link provided.

Publisher
Routledge
Creative Commons License
Creative Commons Attribution-Noncommercial-No Derivative Works 4.0
Citation Information
Michael, M.C. (2011). Arabian Nights in America: Hybrid form and identity in Diana Abu-Jaber’s Crescent. Critique: Studies in Contemporary Fiction 52, 313-331. doi: 10.1080/00111610903379958