Contents: Acknowledgments Introduction PART I: LOVE'S WOUND: VIOLENCE, TRAUMA, AND OVIDIAN TRANSFORMATION IN SHAKESPEARE'S ROMAN POEMS AND PLAYS 1. The Origin of Love: Ovidian Lovesickness and Trauma in Shakespeare's Venus and Adonis 2. Shakespeare's Perverse Astraea, Martyr'd Philomel, and Lamenting Hecuba: Ovid, Sadomasochism, and Trauma in Shakespeare's Titus Andronicus 3. Dido and Aeneas 'Metamorphis'd': Ovid, Marlowe, and the Masochistic Scenario in Shakespeare's Antony and Cleopatra PART II: TRANSFORMING BODIES: TRAUMA, VIRTUS, AND THE LIMITS OF NEO-STOICISM IN SHAKESPEARE'S ROMAN POEMS AND PLAYS 4.'A wretched image bound': Neo-Stoicism, Trauma, and the Dangers of the Bounded Self in Shakespeare's The Rape of Lucrece 5.Bleeding Martyrs: The Body of the Tyrant/Saint, the Limits of 'Constancy,' and the Extremity of the Passions in Shakespeare's Julius Caesar 6.'One whole wound': Virtus, Vulnerability, and the Emblazoned Male Body in Shakespeare's Coriolanus Coda: Philomela's Song: Transformations of Ovid, Trauma, and Masochism in Shakespeare's A Midsummer Night's Dream and Cymbeline Bibliography Index.
Book
Violence, trauma, and virtus in Shakespeare's Roman poems and plays : transforming Ovid.
USF St. Petersburg campus Faculty Publications
Document Type
Book
Publication Date
2014
Disciplines
Abstract
Comments
Citation only. For full access, check out the book through your local library, request it on interlibrary loan, or order it through a book dealer.
Language
en_US
Publisher
Palgrave Macmillan
Creative Commons License
Creative Commons Attribution-Noncommercial-No Derivative Works 4.0
Citation Information
Starks-Estes, L.S. (2014). Violence, trauma, and virtus in Shakespeare's Roman poems and plays: Transforming Ovid. New York: Palgrave Macmillan.