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Article
Writing Women in Northeastern China: Melancholic Narrative in Mei Niang's Novellas
Frontiers of Literary Studies in China
  • Li Guo, Utah State University
Document Type
Article
Publisher
Brill Academic Publishers
Publication Date
5-16-2014
DOI
10.3868/s010-003-014-0004-3
Abstract
Mei Niang (1920–2013), the pen name of Sun Jiarui, is a female fiction writer, translator, and editor of Funü zazhi (Ladies’ journal). In the semi-colonial Northeast China, Mei Niang’s exploration of melancholic narratives shore up manifold levels of socio-historical discourses that are constructive of women’s subjectivity. Melancholic narrative functions as an inverted mirror of both the author’s cultural displacement from her diasporic experience, and her portrayal of colonial domination of local elites by the Japanese in Northeast China. Also, the author’s depiction of feminine melancholia revokes the modernist ideology of love and its constitutive male-centered discourses, dismantles the social disenfranchisement of women by feudal authority, social prejudices, and the eroding urban materialism. Stylistically, Mei Niang’s second-person texts reinforce the feminine authority in enunciation, and by articulating women’s emotions and afflictions, transmogrify the melancholic narrative into a mode of self-narration and self-empowerment.
Citation Information
“Writing Women in Northeastern China: Melancholic Narrative in Mei Niang's Novellas.” Frontiers of Literary Studies in China 8.1 (2014): 52-77.