Skip to main content
Article
Recalling Walden: Thoreau's Embodied Aesthetics and Australian Writings on Place
ECU Publications 2011
  • John Charles Ryan, Edith Cowan University
Publication Date
1-1-2011
Document Type
Journal Article
Publisher
Canadian Association for the Study of Humanities and the Environment (CASHE)
Faculty
Faculty of Education and Arts
School
School of Communication and Arts / Centre for Research in Entertainment, Arts,Technology, Education and Communications
RAS ID
12718
Comments
This article was originally published as: Ryan, J. C. (2011). Recalling Walden: Thoreau's embodied aesthetics and Australian writings on place. The Journal of Ecocriticism, 3(2), 43-57. Original article available here
Abstract

This essay argues that the works of the nineteenth-century American philosopher, poet, and naturalist Henry David Thoreau (1817-1862) have moulded Australian place writings of the last one hundred years. Beginning with the foundational work into Australian literature done by the American critics C. Hartley Grattan (1902-1980), A. Grove Day (1904-1994), and Joseph Jones (1908-1999), the article goes on to contextualize the discussion in the contemporary transhemispherical scholarship of Australian literary historian Harry Heseltine and American ecocritic Robert Zeller. Both syncretic and embodied, Thoreau’s literary approach to place draws from a fusion of multi-sensory experience, ethnographic inquiry, and bodily participation in the landscape through walking. Australian place writers including Edmund Banfield (1852-1923), Charles Barrett (1872-1959), Jack McLaren (1884-1954), Derek Robert (c. 1920-?), Barbara York Main (1929-), and Rod Giblett (1951-), explicitly or implicitly, reflect the influence of Thoreau’s embodied aesthetics.

Citation Information
John Charles Ryan. "Recalling Walden: Thoreau's Embodied Aesthetics and Australian Writings on Place" (2011)
Available at: http://works.bepress.com/john_ryan/16/