The Last Mountain is a 2011 Natural Resources Defense Council (NRDC) film. It examines an aggressive form of strip mining in West Virginia known as mountaintop removal (MTR). The Last Mountain was the first of more than 40 MTR films to be distributed nationally and, as such, marks the entry of the issue onto the political scene in the USA. This essay analyses the film’s use of environmental melodrama to define the problems related to MTR and create identification between victims of MTR and viewers. However, the latter portion of the film attempts to scale up from the melodramatic depiction of MTR to advocacy on broader issues regarding renewable energy and global climate change. In doing so, the film breaks with melodramatic form, draining its emotional power, foreclosing systemic political action, and limiting its overall effectiveness as a sustainability narrative.
Article
Environmental Melodrama, Coal, and the Politics of Sustainable Energy in The Last Mountain
International Journal of Sustainable Development
Document Type
Article
Publication Date
1-1-2013
Disciplines
Abstract
Citation Information
Schwarze, Steve, Peeples, Jennifer, Schneider, Jen and Bsumek, Peter. “Environmental Melodrama, Coal, and the Politics of Sustainable Energy in The Last Mountain” Accepted for the International Journal of Sustainable Development 2013. Available online April 2013.