Skip to main content
Article
Trafficking modernities: Gender and cultural authority in the case of the woman organist, Lilian Frost
Hecate: An interdesciplinary journal of women's liberation
  • Jane Hunt, Bond University
Date of this Version
1-1-2011
Document Type
Journal Article
Publication Details

Citation only.

Hunt, J. E. (2011). Trafficking modernities: Gender and cultural authority in the case of the woman organist, Lilian Frost. Hecate: An interdisciplinary journal of women's liberation, 37 (1), 99-118.

Access the journal's website.

2011 HERDC submission. FoR code: 200502, 210303

© Copyright Hecate Press, 2011



Abstract

According to the local press, Frost as both soloist and accompanist on piano and organ was reported to exhibit a musical maturity beyond her years, and stamina considered unusual for a 'young lady', but clearly this was problematic. Jealous minded organists of the sterner sex are apt to say that ladies cannot play the organ; but the meritorious performance by Miss Frost dispels that illusion; for here is a lady who can play the organ. This appeared to provoke a shift in reportage on Frost's performances: whereas previously newspaper reports repeated an established complimentary four-lined riff, detailed reviews soon replaced them, most adding to the theme of Frost's anomalous physical strength.

Citation Information
Jane Hunt. "Trafficking modernities: Gender and cultural authority in the case of the woman organist, Lilian Frost" Hecate: An interdesciplinary journal of women's liberation Vol. 37 Iss. 1 (2011) p. 99 - 118 ISSN: 0311-4198
Available at: http://works.bepress.com/jane_hunt/7/