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The Commodification of Jean-Michel Basquiat
Jacobin (2022)
  • James Rushing Daniel, Ph.D., Seton Hall University
Abstract
When he was alive, Jean-Michel Basquiat’s iconic art leveled a powerful opposition to inequality and racism. Since his death, his work has been co-opted, emptied of all political content, and commodified to be sold as an image of New York’s vanishing cool.
Keywords
  • Racial Inequality,
  • New York City,
  • Wealth Inequality,
  • Artists
Disciplines
Publication Date
May 23, 2022
Citation Information
James Rushing Daniel. "The Commodification of Jean-Michel Basquiat" Jacobin (2022)
Available at: http://works.bepress.com/james-daniel1/11/