This paper is a continuation of an investigation into the essence of metaphor. I will argue here that dramatic action seems to epitomize that essence and intensify it. Further, I will argue that the world of tragicomedy is an ancient, almost genetic metaphor for the course of human events and the way of the world. It is a form of perception, a way of knowing. The vitality of contemporary tragicomedy, and the analogy between dramatic action and the metaphors of physics show us how fundamental this view has come to be.