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Informal music-making among piano bar musicians: Implications for bridging the gap in music education
Journal of Popular Music Education (2020)
  • Amy Spears, Nebraska Wesleyan University
  • Danelle Larson, Eastern Illinois University
  • Sarah Minette, University of St. Thomas (Minnesota)
Abstract
Recent research in music education has sought to bridge the gap between formal music-making and informal music-making done by many musicians who may have little or no formal musical training. Piano bar musicians fall under the category of musicians who may or may not have had formal musical training but are able to perform covers of a variety of pop songs for live and interactive audiences. Many of them also play multiple instruments. Participants we observed and interviewed in this qualitative study were eight piano bar musicians from various regions of the United States. Key findings include that the primary method participants used to learn songs was listening and learning by ear; ‘reading’ music took multiple forms; music theory and chord functionality were useful and allowed for flexible musicianship; and that a participatory culture was important for learning the songs the musicians chose to learn.
Disciplines
Publication Date
June 18, 2020
DOI
https://doi.org/10.1386/jpme_00019_1
Citation Information
Amy Spears, Danelle Larson and Sarah Minette. "Informal music-making among piano bar musicians: Implications for bridging the gap in music education" Journal of Popular Music Education (2020) ISSN: 2397-6721
Available at: http://works.bepress.com/danelle-larson/3/
Creative Commons license
Creative Commons License
This work is licensed under a Creative Commons CC_BY-NC-ND International License.