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H.D.’s Palimpsest: The Work of the ‘Advance-Guard’ in a History of Trauma
The Space Between: Literature and Culture, 1914-1945
  • Cheryl Hindrichs, Boise State University
Document Type
Article
Publication Date
1-1-2006
Abstract

The personal and public trauma of the First World War led H. D. to question the role of avant-garde art and the efficacy of the “clarid” and “concise” imagist poem. H. D.’s novel Palimpsest (1926) stages the poet’s doubts in the postwar period, reframes the prewar avant-garde, and itself posits a kind of art that might allow the writer to formulate an ethical standpoint. Despite excellent analyses of H. D.’s prose work in the last several decades by scholars such as Susan Stanford Friedman and Adalaide Morris, H. D. continues to be known as the founding poet of imagism, a characterization that has endured ever since 1912 when Ezra Pound transformed the American Hilda Doolittle into the expatriate poet H. D. In the face of this legacy, it is important to note that in the 1920s H. D. turned from the lyric poetry of imagism to lyric narrative in prose as a strategy better suited to capturing the modernist moment.

Citation Information
Cheryl Hindrichs. "H.D.’s Palimpsest: The Work of the ‘Advance-Guard’ in a History of Trauma" The Space Between: Literature and Culture, 1914-1945 (2006)
Available at: http://works.bepress.com/cheryl_hindrichs/1/