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Algorithmic Aesthetics: Redefining Traditional Islamic Art
Proceedings of Bridges 2017: Mathematics, Art, Music, Architecture, Education, Culture (2017)
  • Carol Bier
Abstract
The recent exhibition (2017), ”Reverberating Echoes: Contemporary Art Inspired by Traditional Islamic Art,” organized by the Center for the Arts & Religion at the Graduate Theological Union afforded an opportunity for me as curator to reconsider the definition of ‘traditional Islamic art.’ This effort led to the identification of an algorithmic aesthetic of pattern that characterizes artistic production in all media from the 9th through the 12th centuries in what were then Islamic lands, centered in Baghdad, but extending from Spain across North Africa through the Middle East and Iran to Central Asia and the Indian Subcontinent.
Keywords
  • contemporary art,
  • Islamic art,
  • reverberating echoes,
  • algorithmic aesthetic,
  • geometric patterns
Publication Date
2017
Citation Information
Bier, Carol (2017). "Algorithmic Aesthetics: Redefining Traditional Islamic Art," in Proceedings of Bridges 2017: Mathematics, Art, Music, Architecture, Education, Culture, eds. D. Swart, C. H. Sequin, and K. Fenyvesi. Pp. 419-422. Phoenix AZ: Tessellations Publishing. Available online at https://works.bepress.com/carol_bier/92/