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Contribution to Book
Plurality or Conflict?: Performing Religious Politics through Islamic Musical Arts in Contemporary Indonesia
Music and Conflict (2010)
  • Anne K. Rasmussen, College of William and Mary
Abstract
This volume charts a new frontier of applied ethnomusicology by highlighting the role of music in both inciting and resolving a spectrum of social and political conflicts in the contemporary world. Examining the materials and practices of music making, contributors detail how music and performance are deployed to critique power structures and to nurture cultural awareness among communities in conflict.
The essays here range from musicological studies to ethnographic analyses to accounts of practical interventions that could serve as models for conflict resolution. Music and Conflict reveals how musical texts are manipulated by opposing groups to promote conflict and how music can be utilized to advance conflict resolution. Speaking to the cultural implications of globalization and pointing out how music can promote a shared musical heritage across borders, the essays discuss the music of Albania, Azerbaijan, Brazil, Egypt, Germany, Indonesia, Iran, Ireland, North and South Korea, Uganda, the United States, and the former Yugoslavia. The volume also includes dozens of illustrations, including photos, maps, and musical scores.
Disciplines
Publication Date
October, 2010
Editor
John Morgan O'Connell and Salwa El-Shawan Castelo-Branco
Publisher
University of Illinois Press
ISBN
978-0-252-07738-8
Citation Information
Anne K. Rasmussen. "Plurality or Conflict?: Performing Religious Politics through Islamic Musical Arts in Contemporary Indonesia" Music and Conflict (2010) p. 155 - 176
Available at: http://works.bepress.com/anne-rasmussen/55/