Lecturer, Arts and Humanities
Ánh-Hoa Thị Nguyễn is a refugee, poet, community artist and educator. She holds an MFA in Creative Writing from Mills College in Oakland, California. Her writing has appeared in publications such as "Asian Pacific American Journal;” the Vietnamese Artists Collective anthology AS IS: A Collection of Visual and Literary Works by Vietnamese American Artists; the Asian American Women Artists Association anthology Cheers to Muses: Contemporary Works by Asian American Women; Troubling Borders: An Anthology of Art and Literature by Southeast Asian Women in the Diaspora;" “diaCRITICS,” a project of the Diasporic Vietnamese Artists Network; and the "Journal of Southeast Asian American Education and Advancement." She has performed her work at numerous venues in the Bay Area and in the Twin Cities. Her most recent publication is a food essay titled “Buy 10 Get 1 Free! Open Letter to Bánh Mì Wanna Be’s” in What We Hunger For: Refugee and Immigrant Stories about Food and Family edited by Sun Yung Shin 신 선 영. Ánh-Hoa has also been a Writer-in-Residence at Hedgebrook and participant in the Djerassi Resident Artists Program. She is a Voices of Our Nation Arts Foundation (VONA) alumna, Elizabeth George Foundation Fellow, and a Minnesota State Arts Board Artist Initiative Grant winner. She has also been the host for the Minnesota Humanities Center’s “War and Memory” Series and a panelist for the Twin Cities PBS “Vietnam War 360” conversation series. In the summer of 2018, Ánh-Hoa was the artist-in-residence for The Floating Library with her project “Waves Enfolding: A Paper Memorial” that honored lives lost during the Vietnamese refugee waves of 1954 and after the war in Vietnam and South East Asia, 1975-1992. She is currently a member of She Who Has No Master(s), a collective of women and gender-nonconforming writers of the Vietnamese diaspora and is the publisher/editor of the forthcoming book Frame to Focus: Contemporary Vietnamese American Women Artists.
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About Ánh-Hoa Thị Nguyễn
Ánh-Hoa Thị Nguyễn is a refugee, poet, community artist and educator. She holds an MFA in Creative Writing from Mills College in Oakland, California. Her writing has appeared in publications such as "Asian Pacific American Journal;” the Vietnamese Artists Collective anthology AS IS: A Collection of Visual and Literary Works by Vietnamese American Artists; the Asian American Women Artists Association anthology Cheers to Muses: Contemporary Works by Asian American Women; Troubling Borders: An Anthology of Art and Literature by Southeast Asian Women in the Diaspora;" “diaCRITICS,” a project of the Diasporic Vietnamese Artists Network; and the "Journal of Southeast Asian American Education and Advancement." She has performed her work at numerous venues in the Bay Area and in the Twin Cities. Her most recent publication is a food essay titled “Buy 10 Get 1 Free! Open Letter to Bánh Mì Wanna Be’s” in What We Hunger For: Refugee and Immigrant Stories about Food and Family edited by Sun Yung Shin 신 선 영. Ánh-Hoa has also been a Writer-in-Residence at Hedgebrook and participant in the Djerassi Resident Artists Program. She is a Voices of Our Nation Arts Foundation (VONA) alumna, Elizabeth George Foundation Fellow, and a Minnesota State Arts Board Artist Initiative Grant winner. She has also been the host for the Minnesota Humanities Center’s “War and Memory” Series and a panelist for the Twin Cities PBS “Vietnam War 360” conversation series. In the summer of 2018, Ánh-Hoa was the artist-in-residence for The Floating Library with her project “Waves Enfolding: A Paper Memorial” that honored lives lost during the Vietnamese refugee waves of 1954 and after the war in Vietnam and South East Asia, 1975-1992. She is currently a member of She Who Has No Master(s), a collective of women and gender-nonconforming writers of the Vietnamese diaspora and is the publisher/editor of the forthcoming book Frame to Focus: Contemporary Vietnamese American Women Artists.