Contribution to Book
Somai Shinji and the Long Take / 소마이 신지, 그리고 롱 데이크소마이 신지 Retrospective: Shinji Somai (2005)
This piece was written for a Somai Shinji retrospective at the 2005 Jeongju Film Festival and originally published in Korean (the Korean version is included). It attempts to understand Somai’s cinema through a phenomenological analysis of his film form. Contrasting his long takes both to those of Mizoguchi Kenji and of recent filmmakers such as Hashiguchi Ryosuke and Aoyama Shinji, I argue that Somai’s aesthetics explore the tensions between the frame and off-screen space, between conscious staging and unbridled pre-lingual adolescent drives, between the concrete and the mythic, and ultimately between life and death.
- Somai Shinji,
- long take,
PublisherJeongju International Film Festival
Citation InformationAaron Gerow. "Somai Shinji and the Long Take / 소마이 신지, 그리고 롱 데이크" 소마이 신지 Retrospective: Shinji Somai (2005) p. 30 - 41
Available at: http://works.bepress.com/aarongerow/56/