Zachary Lesser

The First Literary Hamlet and the Commonplacing of Professional Plays

Zachary Lesser — Tue, 10 Feb 2009 07:54:43 PST

Considers the first ("bad") quarto of Hamlet as Shakespeare's first literary drama, in the context of the use of marginal commas and italics to indicate sententiae in printed professional drama.

Textual Conversations in the Renaissance: Ethics, Authors, Technologies

Zachary Lesser — Wed, 14 May 2008 15:01:01 PDT

Edited collection of essays examining the Renaissance understanding of dialogue as it is shaped by and takes shape in textual form.

William Shakespeare - The Life

Zachary Lesser — Wed, 14 May 2008 14:57:47 PDT

Encyclopedia entry on the life of William Shakespeare.

Copyright

Zachary Lesser — Wed, 14 May 2008 14:56:36 PDT

Encyclopedia entry on the history of copyright.

Playbooks

Zachary Lesser — Wed, 14 May 2008 09:31:37 PDT

The history of playbooks in early modern England, for a general readership.

Mystic Ciphers: Shakespeare and Intelligent Design: A Response to Nancy Glazener

Zachary Lesser — Wed, 14 May 2008 09:25:55 PDT

A discussion of the Shakespeare "authorship controversy" in relation to the "debate" over evolution and intelligent design.

Canons and Classics: Publishing Drama in Caroline England

Zachary Lesser — Wed, 14 May 2008 09:20:02 PDT

The publication of playbooks in the 1630s helped to shape a distinctive culture of Caroline drama and to give rise to the first canon of English professional drama.

Vile Arts: The Marketing of English Printed Drama, 1512-1660

Zachary Lesser — Wed, 14 May 2008 09:15:47 PDT

Examines the marketing of drama through the use of title-page attributions of author, authorial status, theatrical venue, theatrical company, and the presence of Latin on the title page.

Walter Burre's The Knight of the Burning Pestle

Zachary Lesser — Wed, 14 May 2008 09:13:22 PDT

A study of The Knight of the Burning Pestle in the context of the career of its publisher, Walter Burre, focusing especially on his use of the typographical technique of "continuous printing."

Mixed Government and Mixed Marriage in A King and No King: Sir Henry Neville Reads Beaumont and Fletcher

Zachary Lesser — Wed, 14 May 2008 09:06:43 PDT

A reading of the 1619 edition of A King and No King through the eyes of its print dedicatee, Sir Henry Neville, this article examines the play's treatment of the political theory of mixed government in relation to its handling of gender, incest, and marriage.