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<title>Zachary Lesser</title>
<copyright>Copyright (c) 2010  All rights reserved.</copyright>
<link>http://works.bepress.com/zacharylesser</link>
<description>Recent documents in Zachary Lesser</description>
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<lastBuildDate>Fri, 15 Jan 2010 14:53:38 PST</lastBuildDate>
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<title>Early Modern Digital Scholarship and DEEP: Database of Early English Playbooks</title>
<link>http://works.bepress.com/zacharylesser/17</link>
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<pubDate>Mon, 21 Dec 2009 11:47:06 PST</pubDate>
<description>This paper discusses recent trends in digital resources for early modern literary studies, as well as the implications of these resources for research and scholarship. In addition to comparing the use by scholars of print reference works and online databases, the essay analyzes the recent shift from 'first-generation' digital resources, such as the English Short Title Catalogue (ESTC) and Early English Books Online (EEBO), to newer 'second-generation' resources like DEEP: Database of Early English Playbooks. Rather than strive for comprehensive coverage of early modern print culture, as ESTC and EEBO do, these 'second-generation' sites typically aim for in-depth coverage of a particular kind of text or document. DEEP, for example, is a searchable database of all extant plays printed in England to 1660, while the English Broadside Ballad Archive focuses on sixteenth- and seventeenth-century ballads. This shift in emphasis - from comprehensiveness to specialized subject matter - has resulted in, and been driven by, changes in thinking about the fundamental architecture of the databases, their searchability, and their analytical and editorial principles, all of which have significant ramifications for the type of research they enable.</description>

<author>Zachary Lesser</author>


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<title>The First Literary &lt;i&gt;Hamlet&lt;/i&gt; and the Commonplacing of Professional Plays</title>
<link>http://works.bepress.com/zacharylesser/16</link>
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<pubDate>Tue, 10 Feb 2009 07:54:43 PST</pubDate>
<description>Considers the first (&quot;bad&quot;) quarto of &lt;i&gt;Hamlet&lt;/i&gt; as Shakespeare's first literary drama, in the context of the use of marginal commas and italics to indicate sententiae in printed professional drama.</description>

<author>Zachary Lesser</author>


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<title>Textual Conversations in the Renaissance: Ethics, Authors, Technologies</title>
<link>http://works.bepress.com/zacharylesser/15</link>
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<pubDate>Wed, 14 May 2008 15:01:01 PDT</pubDate>
<description>Edited collection of essays examining the Renaissance understanding of dialogue as it is shaped by and takes shape in textual form.</description>

<author>Zachary Lesser</author>


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<title>William Shakespeare - The Life</title>
<link>http://works.bepress.com/zacharylesser/14</link>
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<pubDate>Wed, 14 May 2008 14:57:47 PDT</pubDate>
<description>Encyclopedia entry on the life of William Shakespeare.</description>

<author>Zachary Lesser</author>


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<title>Copyright</title>
<link>http://works.bepress.com/zacharylesser/13</link>
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<pubDate>Wed, 14 May 2008 14:56:36 PDT</pubDate>
<description>Encyclopedia entry on the history of copyright.</description>

<author>Zachary Lesser</author>


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<title>Playbooks</title>
<link>http://works.bepress.com/zacharylesser/12</link>
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<pubDate>Wed, 14 May 2008 09:31:37 PDT</pubDate>
<description>The history of playbooks in early modern England, for a general readership.</description>

<author>Zachary Lesser</author>


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<title>Mystic Ciphers: Shakespeare and Intelligent Design: A Response to Nancy Glazener</title>
<link>http://works.bepress.com/zacharylesser/11</link>
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<pubDate>Wed, 14 May 2008 09:25:55 PDT</pubDate>
<description>A discussion of the Shakespeare &quot;authorship controversy&quot; in relation to the &quot;debate&quot; over evolution and intelligent design.</description>

<author>Zachary Lesser</author>


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<title>Canons and Classics: Publishing Drama in Caroline England</title>
<link>http://works.bepress.com/zacharylesser/10</link>
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<pubDate>Wed, 14 May 2008 09:20:02 PDT</pubDate>
<description>The publication of playbooks in the 1630s helped to shape a distinctive culture of Caroline drama and to give rise to the first canon of English professional drama.</description>

<author>Zachary Lesser</author>


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<title>Vile Arts: The Marketing of English Printed Drama, 1512-1660</title>
<link>http://works.bepress.com/zacharylesser/9</link>
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<pubDate>Wed, 14 May 2008 09:15:47 PDT</pubDate>
<description>Examines the marketing of drama through the use of title-page attributions of author, authorial status, theatrical venue, theatrical company, and the presence of Latin on the title page.</description>

<author>Zachary Lesser</author>


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<title>Walter Burre&apos;s &lt;i&gt;The Knight of the Burning Pestle&lt;/i&gt;</title>
<link>http://works.bepress.com/zacharylesser/8</link>
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<pubDate>Wed, 14 May 2008 09:13:22 PDT</pubDate>
<description>A study of The Knight of the Burning Pestle in the context of the career of its publisher, Walter Burre, focusing especially on his use of the typographical technique of &quot;continuous printing.&quot;</description>

<author>Zachary Lesser</author>


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