Renaissance Drama and the Politics of Publication: Readings in the English Book Trade

Zachary Lesser, University of Pennsylvania

Abstract

Shifting our focus from author to publisher and from first performance to first edition, this book offers a new vantage point on the drama of Shakespeare, Marlowe, Webster, and their contemporaries. <em>Renaissance Drama and the Politics of Publication</em> re-imagines the reception and meaning of plays by reading them through the eyes of their earliest publishers. Since success in the book trade required specialization, locating a play within its publisher's output allows us to see how the publisher read it and speculated that customers would read it. Their readings often differ radically from our own and so revise our views of the drama's engagement with early modern culture. By reading the 1633 <em>Jew of Malta</em> as a part of Nicholas Vavasour's Laudian specialty, for example, or the 1622 <em>Othello</em> in the context of Thomas Walkley's trade in parliamentary news, this groundbreaking study reveals the politics of these publications - for early modern readers and for us.