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Article
Writing Dirty: Paradoxical Embodiments of Nazism in Bataille's "Le Bleu du Ciel"
Australian Journal of French Studies
  • Sylvie Vanbaelen, Butler University
Document Type
Article
Publication Date
1-1-2004
DOI
http://dx.doi.org/10.3828/AJFS.41.1.74
Abstract

Since his death in 1962, and particularly in the last twenty-five years, Georges Bataille has become a major figure in intellectual circles. Critics such as Roland Barthes, Jacques Derrida, Michel Foucault, Julia Kristeva and Philippe Sollers, to name but a few, have all contributed to bringing Bataille's work to the foreground. Regarded as a significant influence on contemporary thought, Bataille is considered a precursor of post-modernism. Yet, while he has received increasing attention, this attention has converged primarily on his essays and philosophical works. As Susann Cockal notes, "specific and detailed readings of many aspects of [his] fiction are still wanting".

Rights

Version of record can be found through Liverpool University Press

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Citation Information
Vanbaelen, S. "Writing Dirty: Paradoxical Embodiments of Nazism in Bataille's Le Bleu du Ciel." Australian Journal of French Studies XLI.1 (2004): 74-84.