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<title>Silvia Valisa</title>
<copyright>Copyright (c) 2010  All rights reserved.</copyright>
<link>http://works.bepress.com/silvia_valisa</link>
<description>Recent documents in Silvia Valisa</description>
<language>en-us</language>
<lastBuildDate>Wed, 29 Dec 2010 01:31:02 PST</lastBuildDate>
<ttl>3600</ttl>


	
		
	

	
		
	







<item>
<title>Masterpieces of Italian Literature in Translation</title>
<link>http://works.bepress.com/silvia_valisa/14</link>
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<pubDate>Mon, 27 Dec 2010 11:21:16 PST</pubDate>
<description></description>

<author>Silvia Valisa</author>


<category>20th Century Italian Literature</category>

<category>Introduction to Italian Literature</category>

</item>






<item>
<title>Still figures: Photography, modernity and gender in Neera’s Fotografie matrimoniali</title>
<link>http://works.bepress.com/silvia_valisa/13</link>
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<pubDate>Mon, 27 Dec 2010 09:59:53 PST</pubDate>
<description>This essay discusses author Neera's early novel &quot;Fotografie matrimoniali&quot; (1883) in light of its ambiguous engagement with modernity. I argue that modernity takes on different meanings and ideological connotations in the text, in particular in its discussion of gender, while participating in a nationalist rhetoric that simultaneously gives room to and ‘frames’ its female subjects. I thus investigate how the representation of gender roles is impacted by the changes brought forward by modernity, and discuss whether Neera’s formal (photographic) choice succeeds in opening a different narrative and ideological space.</description>

<author>Silvia Valisa</author>


<category>19th Century Italian Literature</category>

<category>Essay</category>

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<item>
<title>Progetto Sonzogno</title>
<link>http://works.bepress.com/silvia_valisa/12</link>
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<pubDate>Thu, 19 Aug 2010 10:27:26 PDT</pubDate>
<description>This is a sample of my research on the history of publishing.</description>

<author>Silvia Valisa</author>


<category>19th Century Italian Literature</category>

<category>20th Century Italian Literature</category>

</item>






<item>
<title>Corpi estranei and Moving Stereotypes: Pier Paolo Pasolini and the Trauma of the Other in &quot;L&apos;odore dell&apos;India&quot;</title>
<link>http://works.bepress.com/silvia_valisa/11</link>
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<pubDate>Tue, 02 Mar 2010 13:19:06 PST</pubDate>
<description></description>

<author>Silvia Valisa</author>


<category>20th Century Italian Literature</category>

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<item>
<title>For the Sake of the Children - Book review</title>
<link>http://works.bepress.com/silvia_valisa/10</link>
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<pubDate>Tue, 02 Mar 2010 13:13:03 PST</pubDate>
<description></description>

<author>Silvia Valisa</author>


<category>Book Review</category>

</item>






<item>
<title>Interdisciplinary seminar &quot;Nation, Gender and Literature&quot;</title>
<link>http://works.bepress.com/silvia_valisa/9</link>
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<pubDate>Sun, 13 Sep 2009 10:49:26 PDT</pubDate>
<description></description>

<author>Silvia Valisa</author>


<category>Sample Syllabi</category>

</item>






<item>
<title>A Passion for Detail: Mussolini, Fascism, and Censorship</title>
<link>http://works.bepress.com/silvia_valisa/8</link>
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<pubDate>Mon, 08 Sep 2008 10:36:00 PDT</pubDate>
<description></description>

<author>Silvia Valisa</author>


<category>20th Century Italian Literature</category>

<category>Book Review</category>

</item>






<item>
<title>Gendered Quests: Analysis, Revelation and the Epistemology of Gender in Neera&apos;s &quot;Teresa&quot;, &quot;Lydia&quot; and &quot;L&apos;indomani&quot;</title>
<link>http://works.bepress.com/silvia_valisa/7</link>
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<pubDate>Fri, 23 Nov 2007 21:31:46 PST</pubDate>
<description>This essay is devoted to Milanese fin-de-siècle writer Neera, more specifically to the three novels composing her “ciclo della donna giovane” (the young woman’s cycle). I examine the striking similarity of the epistemological projects of the three heroines, i.e. their attempt to combine an analytical project with a revelatory structure in order to overcome their contradictory status of narrative subjects and social objects. I consider these projects &quot;gendered&quot; in that they are quests disturbed by a structural and epistemological bias that forecloses a full access to experience and knowledge. The different outcomes of the quests are determined by these women’s ability (or not) to negotiate between phantasmatic social structures and the (narrative) reality.</description>

<author>Silvia Valisa</author>


<category>19th Century Italian Literature</category>

</item>






<item>
<title>Intermediate Italian, Fall 2007 </title>
<link>http://works.bepress.com/silvia_valisa/6</link>
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<pubDate>Thu, 15 Nov 2007 11:37:37 PST</pubDate>
<description></description>

<author>Silvia Valisa</author>


<category>Sample Syllabi</category>

</item>






<item>
<title>Upper Division and Graduate Seminar, &apos;Italian Women Writers: What is Literature and What is a Woman?&apos;</title>
<link>http://works.bepress.com/silvia_valisa/5</link>
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<pubDate>Thu, 15 Nov 2007 11:25:20 PST</pubDate>
<description></description>

<author>Silvia Valisa</author>


<category>Sample Syllabi</category>

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