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<title>Rebecca Coyle</title>
<copyright>Copyright (c) 2009  All rights reserved.</copyright>
<link>http://works.bepress.com/rebecca_coyle</link>
<description>Recent documents in Rebecca Coyle</description>
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<lastBuildDate>Thu, 22 Oct 2009 19:39:48 PDT</lastBuildDate>
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<title>Sound in space: adventures in Australian Sound Art (1995)</title>
<link>http://works.bepress.com/rebecca_coyle/100</link>
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<pubDate>Tue, 29 Sep 2009 22:27:07 PDT</pubDate>
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<author>Rebecca Coyle</author>


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<title>Scoring Australia: film music and Australian identities in Young Einstein, Strictly Ballroom and The Adventures of Priscilla, Queen of the Desert</title>
<link>http://works.bepress.com/rebecca_coyle/99</link>
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<pubDate>Wed, 19 Aug 2009 21:30:00 PDT</pubDate>
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<title>Hearing screen animation</title>
<link>http://works.bepress.com/rebecca_coyle/98</link>
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<pubDate>Wed, 19 Aug 2009 21:29:59 PDT</pubDate>
<description>Animation has become a lucrative and contemporary screen medium. As a film form, animation increasingly engages with expressive tools and techniques, whether as two-dimensional drawn components or 3-D modelled or computer-generated imagery. The popular appreciation for animation is manifest in audience and critical reception to animation feature films. Today these products offer a major challenge to live-action in terms of box office performance and profits, especially in the powerful United States entertainment industry. In Japan, too, feature films are often produced after a television anime series has earned a strong following.</description>

<author>Rebecca Coyle</author>


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<title>Hearing screen animation</title>
<link>http://works.bepress.com/rebecca_coyle/97</link>
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<pubDate>Tue, 18 Aug 2009 18:48:09 PDT</pubDate>
<description>Animation has become a lucrative and contemporary screen medium. As a film form, animation increasingly engages with expressive tools and techniques, whether as two-dimensional drawn components or 3-D modelled or computer-generated imagery. The popular appreciation for animation is manifest in audience and critical reception to animation feature films. Today these products offer a major challenge to live-action in terms of box office performance and profits, especially in the powerful United States entertainment industry. In Japan, too, feature films are often produced after a television anime series has earned a strong following.</description>

<author>Rebecca Coyle</author>


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<title>Now you blokes own the place: representations of Japanese culture in recent Australian cinema</title>
<link>http://works.bepress.com/rebecca_coyle/96</link>
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<pubDate>Tue, 18 Aug 2009 18:40:13 PDT</pubDate>
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<author>Rebecca Coyle</author>


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<title>Orchestrating the Waterfront Dispute: music and discourse in Bastard Boys</title>
<link>http://works.bepress.com/rebecca_coyle/94</link>
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<pubDate>Tue, 18 Aug 2009 18:40:11 PDT</pubDate>
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<author>Rebecca Coyle</author>


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<title>Apparition: holographic art in Australia</title>
<link>http://works.bepress.com/rebecca_coyle/93</link>
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<pubDate>Thu, 14 May 2009 22:00:50 PDT</pubDate>
<description>Long before virtual reality captured the imagination, holography provided artists with a new, challenging, three-dimensional medium. Its very immateriality demanded that artists approach its illusions in unforeseen and inventive ways.  Apparition provides the first detailed study of holographic art in Australia, of the artists producing it and the scientific institutions assisting them. It includes examinations of the work of Paula Dawson, Alexander, and Margaret Benyon and of the institutional collaborations developed by artists such as George Gittoes and David Warren. The book also provides an important historical survey of this advanced-technology art and canvasses the theoretical, perceptual and philosophical issues posed by the hyperreality of the holographic medium. [book jacket]</description>

<author>Rebecca Coyle</author>


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<title>Texas chainsaws: audio effect and iconicity</title>
<link>http://works.bepress.com/rebecca_coyle/92</link>
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<pubDate>Thu, 14 May 2009 22:00:49 PDT</pubDate>
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<author>Rebecca Coyle</author>


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<title>Spectacular synchronisation: songs, animation and Happy Feet</title>
<link>http://works.bepress.com/rebecca_coyle/91</link>
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<pubDate>Thu, 14 May 2009 22:00:47 PDT</pubDate>
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<author>Rebecca Coyle</author>


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<title>Apparition: holographic art in Australia</title>
<link>http://works.bepress.com/rebecca_coyle/90</link>
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<pubDate>Thu, 14 May 2009 22:00:46 PDT</pubDate>
<description>Long before virtual reality captured the imagination, holography provided artists with a new, challenging, three-dimensional medium. Its very immateriality demanded that artists approach its illusions in unforeseen and inventive ways.  Apparition provides the first detailed study of holographic art in Australia, of the artists producing it and the scientific institutions assisting them. It includes examinations of the work of Paula Dawson, Alexander, and Margaret Benyon and of the institutional collaborations developed by artists such as George Gittoes and David Warren. The book also provides an important historical survey of this advanced-technology art and canvasses the theoretical, perceptual and philosophical issues posed by the hyperreality of the holographic medium. [book jacket]</description>

<author>Rebecca Coyle</author>


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