Dr Rebecca Coyle BEd(State College of Vic) MA(UTS) PhD(Macq) 

Rebecca Coyle has taught at SCU since 2003, and also at Macquarie University, Sydney, the
University of Technology, Sydney, and for various other institutions in London and
Sydney. Her research interests centre on Australian cultural productions and critical
analysis. She has published on various aspects of radio production, holographic art,
sound art, country music and documentary film. Most recently, her publications have
coalesced around cinema music and sound, and she is also working on television sound and
film music as a creative industry projects. She is currently leading a team of
researchers on the four-year ARC Discovery Project DP0770026 ‘Music production and
technology in Australian Film: enabling Australian film to embrace innovation’. She is on
the Editorial Boards for three international journals, Convergence: The International
Journal of Research into New Media Technologies (Sage); The Soundtrack (Intellect) and
The Journal of Film Music (The International Film Music Society, USA).

Journal articles

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Showing some fight: Kemira’s challenge to industrial relations (with Lisa Milner), Metro (2007)
Inspired by the ‘Work Choices’ policies initiated by the Coalition-led Australian Federal Government in 2006,...
 

OpenURL

Ether to 01: digitising radio, Convergence: The International Journal of Research into New Media Technologies (2006)
 

Link

Marking time in the Barry McKenzie films' music (with Michael Hannan), Screening the Past: Popular Music and Film (2005)
This article examines aspects of the music of the Barry McKenzie films directed by Bruce...
 

OpenURL

Light from shadow: the legacy of chiaroscuro in spatial imaging, Australia, 2003, Convergence: The International Journal of Research into New Media Technologies (2004)
 

Books

Drawn to sound: animation film music and sonicity (2009)
Animation films are widely consumed in the general population and the study of animation films...
 

Reel tracks: Australian feature film music and cultural identities (2005)
Over the last decade popular cinema has employed a variety of forms of music. These...
 

Apparition: holographic art in Australia (with Philip Hayward) (1995)

Long before virtual reality captured the imagination, holography provided artists with a new, challenging, three-dimensional...

 

Link

Sound in space: adventures of Australian sound art, 26 May - 22 August 1995 / curated by Rebecca Coyle (1995)
Sound in Space features both new and extant works. The exhibition aims to present exemplary...
 

Book chapters

Spooked by sound: The Blair Witch Project, Terror tracks: music, sound and horror cinema (2008)
 

Texas chainsaws: audio effect and iconicity (with Philip Hayward), Terror tracks: music, sound and horror cinema (2008)
 

Nashville and back: country music and film representation in Doing Time for Patsy Kline, Markets and margins : Australian country music volume 3 (2005)
 

Untangling Lantana: a study of film sound production, Reel tracks: Australian feature film music and cultural identities (2005)
 

Country folk: the 'voices' of John Williamson and Sara Storer, Roots and crossovers : Australian country music volume 2 (2004)
 

Theses

Conference publications

Radio Norfolk: community and communication on Norfolk Island, 2nd International Small Island Cultures Conference (2006)
 

Bazza's bawdy ballads...and other aspects of Barry McKenzie film music, Conferrence Proceedings: 12th Biennal Conference of the Film and History Association (2005)
 

Calling Australia home: Australian film music, Changing sounds: new directions and configurations in popular music, IASPM 1999 Conference Proceedings (2000)
 

Sound recordings