Article
Racial Protest, Identity, Words And Form In Maya Angelou's "I Know Why The Caged Bird Sings"
College Literature
(1995)
Abstract
There is difficulty in critically reading African American literature as apolitical text; all create a political impact whether this is the initial and conscious motive or not. Maya Angelou's autobiography is one such case. Though written in response to an aesthetic challenge - that an autobiography cannot be written as literature (from the Formalist/New Critics point of view) - Angelou's organic unity became a vehicle for her political protest. A critical reading shows how she was able to achieve this.
Disciplines
Publication Date
October, 1995
Citation Information
Pierre A Walker. "Racial Protest, Identity, Words And Form In Maya Angelou's "I Know Why The Caged Bird Sings"" College Literature Vol. 22 Iss. 3 (1995) p. 91 - 109 ISSN: 0093-3139 Available at: http://works.bepress.com/pierre-walker/37/