Architecture’s recent resurrection from the pragmatics of modernism in the wake of the technological revolution raises questions about the operative intent of drawing. This return, by engaging new digital techniques with which the draftsman is more efficiently able to figure out and describe design outcome, has yielded renewed frontiers of conceit and observation aided by exploratory drawing media and methods. Contemporary drawing practices offer generative and speculative potential in the process of making and re-making specific to our immediate culture-space.