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<title>Nuria Cruz-Camara</title>
<copyright>Copyright (c) 2012  All rights reserved.</copyright>
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<description>Recent documents in Nuria Cruz-Camara</description>
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<lastBuildDate>Mon, 26 Nov 2012 03:34:14 PST</lastBuildDate>
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<title>¿Se movió la mujer tras la movida?</title>
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<pubDate>Thu, 05 Jul 2012 11:07:39 PDT</pubDate>
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<author>Nuria Cruz-Camara</author>


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<title>&apos;Chicas raras’ en dos novelas de Carmen Laforet y Carmen Martín Gaite</title>
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<pubDate>Thu, 05 Jul 2012 11:07:38 PDT</pubDate>
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	<p>Can be viewed through project Muse starting Fall 2012. http://muse.jhu.edu/journals/hispanofila/</p>

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<author>Nuria Cruz-Camara</author>


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<title>Novela rosa y final feliz en Nubosidad variable de Carmen Martín Gaite</title>
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<pubDate>Thu, 05 Jul 2012 11:07:36 PDT</pubDate>
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<author>Nuria Cruz-Camara</author>


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<title>La re-creación del romanticismo en La Reina de las Nieves de Martín Gaite</title>
<link>http://works.bepress.com/nuria_cruz-camara/10</link>
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<pubDate>Thu, 05 Jul 2012 11:07:34 PDT</pubDate>
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	<p>ISSN 0039-7709 (Print), 1931-0676 (Online)</p>

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<author>Nuria Cruz-Camara</author>


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<title>Notas sobre un Bildungsroman posmoderno: Tocarnos la cara de Belén Gopegui</title>
<link>http://works.bepress.com/nuria_cruz-camara/9</link>
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<pubDate>Thu, 05 Jul 2012 11:07:32 PDT</pubDate>
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	<p>ISSN 0278-7261</p>

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<author>Nuria Cruz-Camara</author>


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<title>Matando al ángel del hogar a principios del siglo XX: Las mujeres revolucionarias de Margarita Nelken y Federica Montseny</title>
<link>http://works.bepress.com/nuria_cruz-camara/8</link>
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<pubDate>Thu, 05 Jul 2012 11:07:30 PDT</pubDate>
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<author>Nuria Cruz-Camara</author>


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<title>El simulacro desde el extrarradio: Barrio de Fernando León de Aranoa</title>
<link>http://works.bepress.com/nuria_cruz-camara/7</link>
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<pubDate>Thu, 05 Jul 2012 11:07:28 PDT</pubDate>
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	<p>DOI:  10.1080/1475382052000331114</p>

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<author>Nuria Cruz-Camara</author>


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<title>Un icono femenino de la revolución: Heroínas de Federica Montseny.</title>
<link>http://works.bepress.com/nuria_cruz-camara/6</link>
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<pubDate>Thu, 05 Jul 2012 11:07:26 PDT</pubDate>
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<author>Nuria Cruz-Camara</author>


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<title>El laberinto intertextual de Carmen Martín Gaite: Un estudio de sus novelas de los noventa</title>
<link>http://works.bepress.com/nuria_cruz-camara/5</link>
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<pubDate>Thu, 05 Jul 2012 11:07:25 PDT</pubDate>
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<author>Nuria Cruz-Camara</author>


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<title>La doctrina socialista y el público en Una mujer por caminos de España de María Martínez Sierra</title>
<link>http://works.bepress.com/nuria_cruz-camara/4</link>
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<pubDate>Thu, 05 Jul 2012 11:07:23 PDT</pubDate>
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<author>Nuria Cruz-Camara</author>


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<title>Doing &quot;good works&quot;</title>
<link>http://works.bepress.com/nuria_cruz-camara/3</link>
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<pubDate>Thu, 05 Jul 2012 11:07:21 PDT</pubDate>
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	<p>Doing "good works"the theme of charity in Constancia de la Mora's autobiography</p>
<p>ISSN 1521-8007,</p>

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<author>Nuria Cruz-Camara</author>


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<title>Cross-dressing and Lesbian Representation in Belle Époque by Fernando Trueba</title>
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<pubDate>Thu, 05 Jul 2012 11:07:19 PDT</pubDate>
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	<p>"The Oscar-winning film Belle Époque (1992), directed by Fernando Trueba, systematically deconstructs patriarchal forms of masculinities by mocking the “Iberian macho” stereotype, by representing actively desiring women, and by allegedly making the male protagonist the object of the female gaze. The inversion of traditional gender roles throughout the film reaches its peak at the carnival cross-dressing sequence, when Violeta, dressed as a male soldier, aggressively seduces Fernando, dressed as a maid, and maintains total control over the love-making process. However, as I will demonstrate in this article, this seemingly subversive reversal of sexual identities is superficial and, in fact, reinstates the traditional vision of patriarchal dominance over the submissive female gender...."</p>

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<author>Nuria Cruz-Camara</author>


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<title>Does Affluenza Spread Quickly? A Historical Case Study from Spain</title>
<link>http://works.bepress.com/nuria_cruz-camara/1</link>
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<pubDate>Thu, 05 Jul 2012 11:07:17 PDT</pubDate>
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<author>Mark D. Harmon et al.</author>


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