In 1923, young Australian artist Christian Yandell (1894–1954) applied a Pre-Raphaelite pen to the task of illustrating an Australasian edition of Lewis Carroll's Alice in Wonderland (1924). A latecomer to the Pre-Raphaelite and Symbolist worlds of myth and legend, Yandell’s work from the 1910s through to the 1930s strongly reflected both art movements, with theosophical underpinnings eventually dominating. Like Pre-Raphaelitism, Yandell’s was a narrative art, embedded in stories and telling their own, thus the natural application to Carroll's classic work of fantasy. Intelligent, mythological, spiritual, dreamy, and mystical, Yandell's drawings were less a reflection of her hometown Melbourne in 1923 than London in 1865.