Articles

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(Forthcoming) Exhibition Catalogue Review: Karen Kramer Russell, et. al. "Shapeshifting: Tranformations in Native American Art", WRECK: UBC Graduate Journal of Art History, Visual Art & Theory (2013)

Concise, clear and consistent, the catalogue that accompanies the exhibition Shapeshifting: Transformations in Native American...

 

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Heather Saunders: The "Freaky Friday" Series, College Art Association ARTexchange Exhibition (2013)

Desire and sex and lust. The conflation of signifiers of sensuality and femininity in female...

 

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Clive Holden: Unfamous Faces in American Places, Exhibition Essay (2013)

Clive Holden’s new work UNAMERICAN UNFAMOUS, recently on display at the Ryerson Image Centre at...

 

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Exhibition Review: Clive Holden: Media/Mediated, Afterimage: The Journal of Media Arts and Cultural Criticism (2013)

An approach to artmaking that is driven by the prospect of chance, by the accidental,...

 

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BLOUIN ARTINFO Canada's Top 12 Shows of 2012 (with Sky Goodden and Benjamin Bruneau), Artinfo Canada (2012)
 

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Aboriginal Artists Engage with Urban Youth Culture in the Urgent and Timely “Beat Nation”, Artinfo Canada (2012)

“Beat Nation: Art, Hip Hop and Aboriginal Culture,” which opened at the Power Plant this...

 

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Reviewing the Sobey Art Award Finalists, a Zeitgeist Emerges, Artinfo Canada (2012)

When Mass MOCA’s ambitious survey exhibition, “Oh Canada,” opened its crowded wares to the public,...

 

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Jason McLean Meets Raymond Pettibon, and it Works, Artinfo Canada (2012)

The McIntosh Gallery pairing of pop-text artists Jason McLean and Raymond Pettibon yields a marriage...

 

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The ROM's “Observance and Memorial" Brings Tortuous History to Testimony, Artinfo Canada (2012)

Moving, powerful, terrifying, “Observance and Memorial: Photographs from S-21, Cambodia” at the Royal Ontario Museum...

 

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The Participating Witness: A Conversation with Jaret Belliveau, Visual Arts News (2012)

Jaret Belliveau is a Moncton-based photographer and filmmaker whose photographic work addresses illness and loss....

 

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Some Things Last a Long Time, Exhibition Catalogue Essay (McIntosh Gallery) (2012)

Relational viewing is also linked to poststructuralist theory, which has provided a framework for shifting...

 

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Amy Shackleton (Exhibition Review), Magenta Magazine (2012)

Documenting the painter in the act of painting is not a new idea: think of...

 

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Karin Doleske: The Drama of Abstraction, Exhibition Catalogue Essay (Studio Vogue Gallery) (2012)

Karin Doleske’s most recent series Embedded Paintings from 2012 maintains a heightened interest in placing...

 

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Schizophrenic Aesthetics: Itamar Jobani's 'People of the 21st Century', Exhibition Catalogue Essay (Julie M. Gallery) (2012)

Itamar Jobani’s recent body of sculptural work synthesizes human forms with found and mass-produced objects....

 

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Subjective Screens: Zeesy Powers’ reality TV asks viewers to feel for others, Magenta Magazine (2012)

With her reality television project Subjects, Toronto-based artist Zeesy Powers draws a line of flight...

 

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Adel Abdessemed: The Future of Décor, C Magazine (2011)

Adel Abdessemed’s Future of Décor at OCAD’s Onsite Gallery is the artist’s first solo exhibition...

 

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John Cushnie: Greying the Grey, Intersections (exhibition catalogue) (2010)

Paintings are not talking heads. They can produce a conversation, an interaction, an exchange. They...

 

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Autobiography and the Family Frame: Jaret Belliveau's “Dominion Street” at Gallery TPW, Fuse Magazine (2010)

Documented over a period of five years, “Dominion Street” presents a visual narrative of love,...

 

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Songs of the Self: Slightly Unbalanced, Fuse Magazine (2009)

Slightly Unbalanced explores psychological states of being and neurosis. Splintered into four categories including, “Progenitors,”...

 

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Reconsidering the 'Obscene': The Massa Marittma Mural, Shift: Queen's Journal of Visual and Material Culture (2009)

Located within Massa Marittima’s public fountain, the Fonte dell’Abbondanza, the mural of a tree featuring...

 

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The Cut in Collage: Pollock, Fontana, Matta-Clark, Ono, artUS (2008)

The methods of collage are full of meaning. In the years succeeding the ‘golden age’...

 

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Dale Chihuly: The Chandeliers and other Critical Insight into his Work, Contemporary Canadian Glass (2008)

Dale Chihuly is the enigmatic celebrity artist heralded as the saviour of the decorative and...

 

Conference Presentations

Us and Them: Jacques Rancière and the ‘Ethical Turn’ in Autobiographical Photography, Culture, Policy, Urban Space and the City, Department of Media and Information Technologies, Western University (2012)

Larry Clark’s Tulsa and Nan Goldin’s The Ballad of Sexual Dependency share a close conceptual...

 

Larry Clark and Nan Goldin: Towards Structuring the Community of the Excluded in Autobiographical Photography, Underhill Graduate Student Colloquium, Carleton University (2012)

In the chapter “The Ethical Turn of Aesthetics and Politics” from Jacques Rancière’s book Dissensus:...

 

Apple Pie and White Picket Fences: Larry Clark’s Un/Common Suburbs, Revisiting Suburbia, York University (2011)

Tulsa is the first photography book or visual material that accurately documents the emerging drug...

 

Flashlight Glimpses: Autobiographical Art as Self-Fashioning, Universities Art Association of Canada (UAAC), University of Guelph (2010)

I am interested in how and why autobiographical visual art moves us through our past....

 

On Longing in Confessional Art, The Human Condition Series: EROS, Nipissing University (2010)

This project considers that the confessional video camera works in similar ways to the confessional....

 

The Politics of Disclosure: Conversations between Autobiographical and Confessional Art, In Transit, Centre for Theory and Criticism, University of Western Ontario (2010)

In former and current academic forums concerning the literary genres of autobiography and confession, the...

 

Larry Clark: The Revolution of Tulsa and its Dissolution of the American Dream, American Popular Culture Association and Popular Culture Association Joint National Conference, New Orleans, Louisiana (2009)

Photographed during three stages throughout the 1960s and early 1970s, Larry Clark took off from...

 

Culture Trumps Content: The Irony of Richard Billingham’s Ray’s a Laugh, I Don’t Care to Discuss It: Art, Media, and the State in a Globalized Economy, Department of Visual Arts, University of Western Ontario, London (2009)

Britain’s art community never heard tell of Richard Billingham until he exhibited a staunchly candid...

 

Therapy and the Photographic Camera in Confessional Art: The Case of Nan Goldin’s Self-Portraiture, The Aesthetics of Excess, Department of Modern Languages, University of Western Ontario (2009)

The landscape of contemporary research on confessional and autobiographical visual art is relatively barren. Few...

 

Osculum, Basium, and Savium: Representations of the Kiss in Roman Wall Painting, "Reconsidering Europe," University of Michigan (2008)

In his essay of 1945, The Kiss in Roman Law, Nathan T. Steinlauf contemplated the...

 

Curatorial

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Some Things Last a Long Time (2012)

This exhibition investigates the manner in which our private lives precondition the act of seeing....

 

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(Co-Curated) 42° 59' 81° 14' Mapping London's International Legacy (2012)

London, Ontario has often been described as a city that nurtures a rich vein of...

 

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(Re)verse Ekphrasis: Works from the McIntosh Collection (2009)

As the exhibition title suggests, (Re)verse Ekphrasis: Works from the McIntosh Collection, flips traditional notions...

 

Other Writings

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Relational Viewing: Affect, Trauma and the Viewer in Contemporary Autobiographical Art, Western Libraries (2012)

This dissertation examines the communicative relationship between contemporary autobiographical art and the viewer. By analyzing...

 

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Roadside Markers of Loss, The Silo (thesilo.ca) (2012)

Indeed, the prevalence of roadside memorials has increased significantly over the past several decades and...

 

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Daniel Johnston and the "Dead Dog's Eyeball", The Silo (thesilo.ca) (2012)

Daniel Johnston is not a secret anymore. In 2005 director Jeff Feuerzeig released the Sundance...

 

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Artist's Texts (et. al.), Adaptation: Between Species, exhibition catalogue, (curated by Helena Reckitt, The Power Plant Contemporary Art Gallery) (2010)
 

Unpublished Papers

On the Ethics of Curating Autobiographical Art (2010)

Autobiographical art, as a mode for recollection and self-discovery in the viewer, is a fundamental...

 

Richard Billingham’s 'Ray’s a Laugh,' Neoliberalism and the Manufacturing Class Transition in England (2009)

With 'Ray's a Laugh,' Richard Billingham arrests a moment of the mass manufacturing class’s evolution...

 

Larry Clark: The Revolution of 'Tulsa' and its Dissolution of the 'American Dream' (2008)

It is the objective of this essay to elucidate some of the more common influences...

 

Psychotherapy and the Photographic Camera in Confessional Art: The Case of Nan Goldin’s Self-Portraiture (2008)

In examining five painful images from Nan Goldin’s narrative of post-battering self-portraiture, I probe the...