Presentation
Therapy and the Photographic Camera in Confessional Art: The Case of Nan Goldin’s Self-Portraiture
The Aesthetics of Excess, Department of Modern Languages, University of Western Ontario
(2009)
Abstract
The landscape of contemporary research on confessional and autobiographical visual art is relatively barren. Few have attempted to delineate the media-specific compulsion to confess. Nan Goldin cannot be overlooked as a confessant who forged a career by materializing catharsis. Goldin’s series of self-portraiture dating from 1983 to 1988 employs the photographic camera not only as a tool of confession but as a catalyst for psychotherapy.
Keywords
- Nan Goldin,
- photography,
- abuse,
- violence,
- Ballad of Sexual Dependancy,
- psychoanalysis,
- autopathography,
- autobiography,
- confession,
- Michel Foucault,
- Freud,
- New York City,
- USA,
- visual art
Disciplines
Publication Date
2009
Citation Information
Matthew Ryan Smith. "Therapy and the Photographic Camera in Confessional Art: The Case of Nan Goldin’s Self-Portraiture" The Aesthetics of Excess, Department of Modern Languages, University of Western Ontario (2009) Available at: http://works.bepress.com/matthewryansmith/7/