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<copyright>Copyright (c) 2012  All rights reserved.</copyright>
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<title>Narrative Spaces</title>
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<pubDate>Thu, 23 Dec 2010 10:08:17 PST</pubDate>
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<title>Spectatorship</title>
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<pubDate>Thu, 23 Dec 2010 10:08:16 PST</pubDate>
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<title>The Contradictions of Minority Report</title>
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<pubDate>Thu, 23 Dec 2010 10:08:16 PST</pubDate>
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<title>Tackling Universal Women as a Research Problem: What Historiographic Sources Do and Don’t Tell Us about ‘Gender’ in the Silent Motion Picture Studio</title>
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<pubDate>Thu, 23 Dec 2010 10:08:15 PST</pubDate>
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<title>Writings, by Vilém Flusser</title>
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<pubDate>Thu, 23 Dec 2010 10:08:14 PST</pubDate>
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	<p>A review of <em>Writings</em>, by Vilém Flusser.</p>

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<author>Mark Garrett Cooper</author>


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<title>Love Rules: Silent Hollywood and the Rise of the Managerial Class</title>
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<pubDate>Thu, 23 Dec 2010 10:08:14 PST</pubDate>
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<title>Parallel Tracks: The Railroad and Silent Cinema, by Lynne Kirby</title>
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<pubDate>Thu, 23 Dec 2010 10:08:13 PST</pubDate>
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	<p>A review of <em>Parallel Tracks: The Railroad and Silent Cinema</em>, by Lynne Kirby.</p>

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<author>Mark Garrett Cooper</author>


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<title>Program Notes for If My Country Should Call</title>
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<pubDate>Thu, 23 Dec 2010 10:08:12 PST</pubDate>
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<title>Love, Danger, and the Professional Ideology of Hollywood Cinema</title>
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<pubDate>Thu, 23 Dec 2010 10:08:12 PST</pubDate>
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<author>Mark Garrett Cooper</author>


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<title>Universal Women: Filmmaking and Institutional Change in Early Hollywood</title>
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<pubDate>Thu, 23 Dec 2010 10:08:11 PST</pubDate>
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<author>Mark Garrett Cooper</author>


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<title>Studio History Revisited: The Case of the Universal Women</title>
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