Kristine Nielsen is Assistant Professor of Art History and editorial board member of the interdisciplinary journal Ekfrase: Nordic Journal of Visual Culture. She holds a Ph.D. and M.A. from the University of Chicago and a Cand.mag. from the University of Copenhagen, Denmark. Nielsen's areas of specialization are modern and contemporary art, the historiography of art history and visual studies, post-1945 artistic developments in East and West Germany, and the history and theory of iconoclasm & idolatry. Her current book project examines the visuality and politics of monument production and destruction in the GDR and FRG, arguing for a history of image negations. Her research has been supported by various fellowships and grants, including the Mellon Humanities Fellowship (2015), the Andrew W. Mellon Postdoctoral Fellowship in the Humanities (2010-12), Stone Summer Theory Fellowship (2011), Getty Research Institute (2011), The Lipman Fellowship, and University of Chicago's Visiting Committee on the Visual Arts. Publications “A Perfectly Nebulous Experiment: C.T.R. Wilson’s Cloud Chamber,” in Art, Technology and Nature, edited by Camilla Skovbjerg Paldam and Jacob Wamberg. London: Ashgate, 2015. Pp. 175-184. “Suspended Subject Positions: Cai Guoqiang and the Medium of Gunpowder,” Studies in Visual Arts and Communication, vol. 2, no. 1 (2015). Review of Architecture, Politics, and Identity in Divided Berlin by Emily Pugh. Sehepunkte 15 (2015), No. 6. http://www.sehepunkte.de/2015/06/25238.html. The review also appears in KUNSTFORM 16 (2015), No. 6. http://www.arthistoricum.net/kunstform/rezension/ausgabe/2015/6/25238/ Translation of Hans Dam Christensen, “A Sign of the Times? Art History as/vs Cultural History,” in Images of Culture: Art History as Cultural History, edited by Mikkel Bogh et al. Copenhagen: Museum Tusculanum Press, 2014. “Vittigheden som politisk våben,” Special Issue on Image Wars, Periskop – forum for kunsthistorisk debat 15 (2012): 98-123. “Reframing The Workers’ Militia Monument in Post-Unification Berlin,” Special Issue on 3D-Sculpture-Installation-Monuments, Passepartout 32 (2011): 229-247. “Quid pro Quo: Assessing the Value of Berlin’s Thälmann Monument,” in Art Outside the Lines: New Perspectives on GDR Art Culture, edited by Elaine Kelly and Amy Wlodarski. Volume 74 of the German Monitor Series. Amsterdam and New York: Rodopi, 2011. Pp. 65-89. “What Ever Happened to Ernst Barlach? East German Political Monuments and the Art of Resistance,” in Totalitarian Art and Modernity, edited by Mikkel Bolt Rasmussen and Jacob Wamberg. Aarhus: Aarhus University Press, 2010. Pp. 147-169. Review of “Theories of Memory: A Reader” edited by Michael Rossington and Anne Whitehead, Ekfrase: Nordic Journal of Visual Culture 1 (2010): 72-73. “Politisk ikonoklasme og idolatri i den moderne visuelle kultur” (Political Iconoclasm and Idolatry in Contemporary Visual Culture), in Visuel kultur – viden, liv, politik, edited by Hans Dam Christensen and Helene Illeris. Copenhagen: Multivers, 2009. Pp. 329-348. Translation of Hans Dam Christensen, “Which Art History?” in Is Art History Global? Volume 3 of The Art Seminar, edited by James Elkins. London and New York: Routledge, 2007. Pp. 298-309. Critics Roundtable Discussion: Mark B. N. Hansen, W. J. T. Mitchell, and Bernard Stiegler. “Media’s Critical Space.” Conversation with Kristine Nielsen, Jason Paul, and Lisa Zaher. Chicago Art Journal 16 (2006): 82-99. “Image.” The Keywords of Media Theory, Chicago School of Media Theory, 2003, http://csmt.uchicago.edu/glossary2004/image.htm.