John G. Hatch

Western University

Associate Dean (Academic), Faculty of Arts and Humanities
Associate Professor, Department of Visual Arts
Contact Information
Curriculum Vitae [PDF]

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Articles

Some Adaptations of Relativity in the 1920s and the Birth of Abstract Architecture, Nexus Network Journal (2010)

John Hatch examines the friendship between Theo Van Doesburg and El Lissitzky, which was fuelled...

Desire, Heavenly Bodies, and a Surrealist's Fascination with the Celestial Theatre, Culture and Cosmos (2004)

In 1922, the German Surrealist artist Max Ernst produced a montage work that included a...

On the Various Trappings of Daniel Spoerri, Art Margins (2003)

The Science behind Francesco Borromini's Divine Geometry, Nexus IV: Architecture and Mathematics (2002)

Machian Epistemology and its Part in František Kupka's Painterly Cognition of Reality, Slovo: An Interdisciplinary Journal of Russian, Eurasian, Central and East European Affairs (2000)

A consensus has emerged amongst art historians that portrays the work the Czech painter, František...

Fatum as Theme and Method in the Work of Francis Bacon, Artibus et Historiae (1998)

Speculations on the Introduction and Role of Alexemata in Doric Temple Architecture, RACAR (1995)

Book Chapters

Nature, Entropy, and Robert Smithson's Utopian Vision of a Culture of Decay, Meanings of Abstract Art: Between Nature and Theory (2012)

Seeing and Seen: Acts of the Voyeur in the Works of Francis Bacon, Francis Bacon: Critical and Theoretical Perspectives (2012)

Modern Earthworks and Their Cosmic Embrace, The Inspiration of Astronomical Phenomena VI: Astronomical Society of the Pacific Conference Series, Vol. 441 (2011)

Doctoral Dissertation

Nature's Laws and the Changing Image of Reality in Art and Physics: A Study of the Impact of Modern Physics on the Visual Arts, 1910-1940, Visual Arts Publications (1995)