Tarquinia Molza (1542-1617): A Case Study Of Women, Music And Society In The Renaissance
The Musical Woman (1988)
  • Joanne M. Riley
Contribution to Book
Abstract

Tarquinia Molza (1542-1617), an Italian musician of the late Renaissance, worked at the Este court of Ferrara in the 1580's with several other women collectively referred to at the time as the "concerto delle donne." The vocal virtuosity of this group of women supposedly inspired famous male composers to write madrigals featuring ornamented soprano parts that undermined the equal-voiced madrigal ideal, and paved the way for the concertante principle of the Baroque.

However, contradictions and questions still surround the historical contribution of the "singing Ladies of Ferrara"-- questions that can be satisfyingly answered after examining the roles of both women and men in the musical life of 16th century Italy.

Keywords
  • molza,
  • tarquinia,
  • ferrara,
  • alfonso II,
  • modena,
  • history,
  • renaissance,
  • madrigal,
  • musicology,
  • improvisation,
  • counterpoint
Publication Date
1988
Editor
Judith Zaimont, Catherine Overhauser, Jane Gottlieb
Publisher
Greenwood Press
ISBN
978-0313235887
Publisher Statement
The Musical Woman: An International Perspective, Vol II. Copyright (1987) by Judith Lang Zaimont, Catherine Overhauser, and Jane Gottleib. Reproduced with permission of ABC-CLIO, LLC.
Citation Information
Joanne M. Riley. "Tarquinia Molza (1542-1617): A Case Study Of Women, Music And Society In The Renaissance" New YorkThe Musical Woman Vol. II (1988)
Available at: http://works.bepress.com/joanne_riley/3/