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Sexuality, Privacy, and Law in the Work of Tennessee Williams (2014)

While much scholarship on Tennessee Williams argues that his work places sexual desire at its...

 

Documentary Trial Plays in Contemporary American Theater (2013)

The development of the documentary trial play in late-twentieth-century American theater

From the Chicago Conspiracy...

 

Hemingway's Politics in His Journalism and Fiction, a Continuum of Contradiction (with Clay Morgan, Clyde Moneyhun, and Mitch Wieland), 4th Annual Ernest Hemingway Symposium (2012)

Introduction by Clay Morgan. A conversation with distinguished Hemingway experts, authors, and faculty members of...

 

One Arm, One Heart: Tennessee Williams’s Illegal and Mutilated Bodies, 15th Annual Conference of the Association for the Study of Law, Culture & the Humanities (2012)
 

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‘My, But You Have an Impressive Judicial Air!’: Tennessee Williams Encodes and Emotes the Law, Association for the Study of Law, Culture and Humanities Conference (2011)
 

‘My, But You Have an Impressive Judicial Air!’: Tennessee Williams Encodes and Emotes the Law, Association for the Study of Law, Culture and Humanities Conference (2011)
 

Performing the Law in Contemporary Documentary Theater, Teaching Law and Literature (2011)
 

Staging a Struggle for Sovereignty: Contemporary Drama, the Church, and Vatican II, Association for the Study of Law, Culture and the Humanities Conference (2010)
 

A One-Woman Riot: Brooklyn 1991 & Los Angeles 1992, Studies in the Literary Imagination (2007)

In this article the author analyzes two of Anna Deavere Smith's documentary-style dramatic works that...

 

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Facts on Trial: Documentary Theatre and Zoot Suit, Interrogating America Through Theatre and Performance (2007)

When Zoot Suit premiered on April 20, 1978 as part of the Mark Taper Forum's...

 

Williams and the Grotesque (with Philip Kolin, Brian Parker, and Annette Saddik), Tennessee Williams Annual Review (2006)

Transcribed directly from tapes made at the 2005 Tennessee Williams Scholars’ Conference.

 

From ‘Home Place’ to the Asylum: Confining Spaces in A Streetcar Named Desire, Cercles (2004)

When I was nine years old, I made my first visit to a mental institution,...

 

Moving into the Rooming House: Interiority and Stage Space in Tennessee Williams's Fugitive Kind and Vieux Carre, The Southern Quarterly (2004)

Tennessee Williams' apprentice work Fugitive Kind and the accomplished Vieux Carre span forty years of...

 

Dramatizing Dementia: Madness in the Plays of Tennessee Williams (1997)

"This study examines the presentation of madness in the major plays by Tennessee Williams, and...