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The face: what a horror

Grayson Cooke, Southern Cross University

Abstract

Introduction:
White wall and black hole; the fundamental elements of the abstract machine of faciality. The face operates on a twofold system; the white wall, the screen, expanse of signification, the potential and desire for meaning; the black hole of subjectification, those moments in which a subject is constructed, the eyes which stare out from the wall, replete in their newfound subjectivity:...

Suggested Citation

Cooke, G 2001, 'The face: what a horror', Culture Machine, no. 3, Virologies: culture and contamination issue.

Available online at http://www.culturemachine.net/index.php/cm/article/view/292/277