Elizabeth C. Teviotdale's research and publications focus on early medieval
liturgical manuscripts of the Latin West and their illumination. Her training is
principally in the history of art and historical musicology. 

Manuscript Studies

Das Sakramentar von Beauvais: Vollständige Faksimile-Ausgabe der Handschrift Ms. Ludwig V 1 aus dem J. Paul Getty Museum, Los Angeles (2011)

A facsimile of a ten-leaf fragment of an illuminated sacramentary. The commentary includes a close...

 
The Beauvais Sacramentary in the Getty Museum as a "Coronation Sacramentary", Saint Louis Conference on Manuscript Studies (2010)

Reexamines the evidence--paleographical, art historical, and circumstantial--that Carl Nordenfalk (1907-92) adduced for his hypothesis that...

 

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Eadwine Psalter, The Oxford Dictionary of the Middle Ages (2010)

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Pembroke College 302: Abbreviated Gospel Book or Gospel Lectionary?, The Study of Medieval Manuscripts of England: Festscrift in Honor of Richard W. Pfaff (2010)

A consideration of the character of the text of Cambridge, Pembroke College, MS 302, a...

 
The Scribes of Bamberg Lit. 5, Saint Louis Conference on Manuscript Studies (2005)

Identifies the scribes of Bamberg, Staatsbibliothek, MS Lit. 5 (olim Ed.V.9), an illuminated troper made...

 

Medieval History

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Ash Wednesday, The Oxford Dictionary of the Middle Ages (2010)

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Canterbury-York Dispute, The Oxford Dictionary of the Middle Ages (2010)

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Holy Week, The Oxford Dictionary of the Middle Ages (2010)

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Jubilee Year, The Oxford Dictionary of the Middle Ages (2010)

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Palm Sunday, The Oxford Dictionary of the Middle Ages (2010)

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Medieval Art

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Abraham, Bosom of, The Oxford Dictionary of the Middle Ages (2010)

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Typology, The Oxford Dictionary of the Middle Ages (2010)

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review of the exhibition 799: Kunst und Kultur der Karolingerzeit (with Melanie Holcomb), Gesta (2001)

A review of the exhibition mounted at three venues in Paderborn in 1999, contrasting it...

 

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Latin Verse Inscriptions in Anglo-Saxon Art, Gesta (1996)

This article identifies the corpus of surviving Anglo-Saxon works of art with newly composed Latin...

 
Latin Verse Inscriptions in Late Anglo-Saxon Art, Third Congress of the International Association for Word & Image Studies (1993)

Examines the inscriptions in seven manuscripts and on a portable altar. All of the inscriptions...

 

Renaissance Music

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Puy [pui], The New Grove Dictionary of Music and Musicians (2001)

Originally published in print in 2001, the Oxford Music Online edition may have been edited...

 
The Invitation to the Puy d'Evreux, Current Musicology (1993)

A study of documents (Archives Départmentals de l'Eure, Série D3-5) concerning a music competition held...

 
Orlando di Lasso's Prize-Winning Motet of 1583, South-Central Chapter Meeting, American Musicological Society (1988)

Reviews some of the documentation concerning the Puy de Musique of the Confraternity of Saint...

 
Orlando di Lasso's Prize-Winning Motet of 1575 (with Christine de Catanzaro), Conference on Medieval and Renaissance Music (1987)

A discussion of documents concerning the Confraternity of Saint Cecilia of Évreux and its Puy...

 

History of Collecting

Afterword: Audiences Near and Far, A History of Medieval Art in Midwestern Museums (2008)

A reflection on the acquisition and display of medieval art in museums of the American...

 
Some Classified Catalogues of the Cottonian Library, Sir Robert Cotton as Collector: Essays on an Early Stuart Courtier and His Legacy (1997)

Eight extant subject catalogs of Sir Robert Cotton's (1571-1631) collection were compiled during the latter...

 
Some Classified Catalogues of the Cottonian Library, The British Library Journal (1992)

Eight extant subject catalogs of Sir Robert Cotton's (1571-1631) collection were compiled during the latter...

 

Impressionist Painting

A Speculation on an Affinity between Ruskin's Seven Lamps of Architecture and Monet's Cathedrals, The Rutgers Art Review (1983)

Discusses John Ruskin’s architectural aesthetics and his view of the Gothic style as expressed in...