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Article
Hiroshima, 'mon amour,' Trauma, and the Sublime
Trauma and Cinema: Cross-Cultural Explorations
  • Andrew Slade, University of Dayton
Document Type
Book Chapter
Publication Date
1-1-2004
Abstract

Trauma ruptures the world of our daily experiences. It is an intrusion that threatens the body and psyche and affects us in symptomatic ways. That something happened is certain; what that is, however, resists comprehension and understanding. The impetus of much contemporary trauma research in the humanities derives from the coincidence of survivors' insistence on the truth of their experiences and life in a global culture that multiplies traumatic circumstances.

These circumstances pose a radical threat to the fecundity of human life, to be sure, and also to the very possibility of brute survival. My aim in this essay is to find a way in which experiences of terror may acquire forms that will facilitate the necessary thinking through of their significance to our present and future.

Inclusive pages
165-181
ISBN/ISSN
9789622096240
Document Version
Published Version
Comments

From Trauma and Cinema: Cross-Cultural Explorations, E. Ann Kaplan & Ban Wang, Eds., 2004; pp. 165-181; reproduced by permission of Hong Kong University Press.

Permission documentation on file.

Publisher
Hong Kong University Press
Place of Publication
Hong Kong
Disciplines
Citation Information
Andrew Slade. "Hiroshima, 'mon amour,' Trauma, and the Sublime" Trauma and Cinema: Cross-Cultural Explorations (2004)
Available at: http://works.bepress.com/andrew_slade/4/